THE STOP TRICK

THE STOP TRICK

An intensive on many of the great methods for the classic STOP trick.

A classic effect that's easy for the audience to understand, and mind blowing in effect.

The stop trick is fabulous interactive magic. The best magic is that with a simple plot, in this effect the audience themselves tells the Magician when to stop dealing cards, and when they do it will always, ALWAYS be on the chosen card!.

Plenty of room for presentation niceties too.

This is an ever growing playlist, more to come...

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THE STOP TRICK
  • HAHNE'S STOP TRICK

    A card is chosen, lost in the pack, then the cards are dealt to the table. The spectator yells STOP when they feel an urge, and incredibly they stop right at their own card.

    This is impromptu, any deck, anywhere, with a terrific method for a clean cut classic effect.

  • THE PERFECT STOP TRICK

    Ralph W. Hull's. brilliant clean method for the classic STOP effect.

    Simple, no sleight of hand and mind-blowing to a lay audience... or muggle...

  • ANNEMANN'S LOST STOP TRICK

    Theo's brilliant method was marred by old technique and awkward handling. Now Steve has thought through the issues, solved them, and brings this ultra clean effect into the light.

    A SIGNED card is lost in the deck and the cards are plucked off the deck, one by one, the spectator stops the magi...

  • ANNEMANN'S STOP TRICK - FINESSE

    A 'doh' moment that came to me as I was filming, but good to know subtlety to apply to the Annemann Stop Trick

  • 7 A MEANS TO AN END

    Douglas Dexter, the brilliant amateur magician, invented this in the early 1900's. A terrific method and presentation that can be done with any cards, even on stage.

    Up to three cards are chosen and lost in the deck, they are then are found NOT by the magician but by the spectators, all the...

  • 8 A MEANS TO AN END - THE ACT

    Inspired by Douglas Dexter's STOP trick, A MEANS TO AN END, Steve has combined it with Super Stab to create a fabulous routine that's almost an act in itself. A makes full use of the props you carry.

    Here Steve details his thoughts on weaving these effects together so they build to an imposs...